Spotlight On YAFies: Claris Yip@Swing Pocket

Claris Yip@Swing Pocket
Dancer, Swing Back in Time

What inspired you to become a dancer?
Many years ago, I saw my first traditional jazz performance at the oldest jazz bar in Hong Kong. The atmosphere was not at all what I’d imagined – it was lively and full of energy, and the audience were clapping and cheering. I was amazed by the interaction between the musicians and the audience, and the irresistible charm of traditional jazz! A few years later, I discovered swing dance, which is performed to jazz music, and I looked for ways to learn it. That’s how my passion started.

What’s so appealing about swing dance?
Swing dance is a lively style where dancer engagement and personal expression are often more important than technical skills. Whatever their level of experience, dancers use their bodies to communicate. As a social activity, swing allows dancers to connect with different partners and meet people from different backgrounds. It also has a strong musicality and rhythm, making it fun to watch.

What are the challenges of promoting swing dance in Hong Kong?
There are quite a few dancers and musicians teaching and promoting swing dance in Hong Kong, but swing dance requires large venues and bands need compatible equipment so organising larger events can be challenging. Small events create more intimate connections with the audience but they take time and manpower to plan and organise. As more people become familiar with jazz and swing dance culture, I hope more resources will open up.

What’s your favourite thing about teaching dance?
Watching students who are reluctant to participate at the start learn to embrace their bodies and grow in confidence. It’s surprising to see how they change over the course of a year or so.

What unexpected experiences has dancing brought you?
Dancing has become my mentor. I’m not exaggerating! Swing has opened up a natural way for me to connect with different people. I’ve gained a deeper understanding of myself without needing to use words. It’s also encouraged me to explore the field of physicality and music.

Swing dance originated among African Americans in the United States. I’ve learned to approach the art form with respect for this culture. One aspect of swing dance is that people express themselves freely through music and dance, establishing connections with others in an authentic environment. I was surprised to find the demand for this interaction among people in Hong Kong. It makes the challenges much less daunting than I’d imagined.

What would you like to say to your future self at seventy years old?
As long as my physical condition allows, I’ll continue dancing!

What advice do you have for youngsters who are passionate about the performing arts?
If you have a goal, pursue it! Pay attention to the styles and interests that excite you, keep your eyes open for learning opportunities, and talk to people with different passions. 

Who is your favourite artist?
I really admire the dancer Ksenia Parkhatskaya. As a performer and coach, she has strong observational and analytical skills and an ability to combine various techniques and methods from different fields – like integrating theatre and contemporary dance with swing dance. She’s really opened up the possibilities of swing dance and enhanced its artistic expression.